Savages

I watched Savages on last night's 'Later...' and, this might sound like a strange response, but I felt so proud.   So proud that there are young women like these doing what they do, and doing it so well; I actually got a bit glassy-eyed.

In a world where women still - still! - sell themselves so short and aspire to ridiculously superficial ideals that prey on their low self-esteem, that very same low self-esteem that those ideals helped cultivate in the first place, we need Savages.  We really do.

I couldn't paste in the video but here's a youtube link to last night's performance:

Savages: Sad Person live (from Later with Jools Holland)

And here's another treat:

Girl Crush Sunday #5

Vicky McClure

Oh, DC Kate Fleming, please save the day and tell me you haven't fallen for Dot's manipulative lies!

I've been literally on the edge of my seat at times during 'Line Of Duty' - and I do mean 'literally' in the literal (!) sense and not in the way it's so often misused (like "I'd literally cut off my right arm to see him again" or "I was so embarrassed, I literally died"...).  It happened last week when Steve was suspended...  the frustration and the anguish on his face..!  And  at the tension when Dot and Lindsay Denton were in the car.  How is it all going to get wrapped up in the final episode?  Who is pulling the strings?  

I can hardly wait 'til Thursday.... not just because of my girl crush on lovely Vicky.

Weirdness on an English walk

Not quite the follow-up to my last post that I was intending, but I'm still on the subject of fear in the fields of England....

‘Would it kill you to say hello on a country walk?’ is the question asked in this article today and I found it quite apt.

What do you do?  Generally I say a quiet “hello” or at least smile.  Seems  to me that if you’re on an empty path with no-one around apart from one other person heading your way, who then passes within touching distance,  it’d actually be quite odd not to openly acknowledge their existence.   Even if only with a cursory nod of the head – it doesn’t have to be some big, bold fanfare of a greeting, just a subtle signal that communicates, ”I’m human and so are you”.  At the same time, I know that when walking alone it’s often to be exactly that – alone - so a lengthy chat about the weather isn’t on everyone’s agenda.    But a smile will do.  A smile and a “hello” if it feels right, and then on your way.

Yesterday I went out for some fresh air and took a familiar route, part of which is up the long drive to a manor house, open to the public.  You can park along it too;  people often leave their cars on the verge and then walk their dogs across the adjacent fields. 

As I made my way down it I passed a lone parked car and was faintly aware of a grey-haired woman behind its open boot –  some yards away to my right.  Bearing in mind what I said above, I turned my head briefly in her direction and smiled.  It was one of those vague expressions you cast out when you’re not really sure… not close enough to speak but not far enough away to pretend you can’t see the other person.   It was little more than a glance really.  I couldn’t even see her response as she was obscured by the raised boot of her hatchback but I wasn’t bothered, the point was I’d just acknowledged her presence with a quick friendly gesture as I went by.

I was still walking away when I became aware of her voice.  I thought she must have had a child in the car, or perhaps a dog – I couldn’t tell.  She sounded cross, though.  Oh dear, maybe it was a hen-pecked husband?!  But she was also getting louder, as if to compensate for the increasing distance between us – as if for some reason she wanted to keep me within earshot.  Then I started to tune in to what she was actually saying…

“…Oh yes, that’s it, laugh at me.  You just laugh, why don’t you?  Oh, because my boot doesn’t work and I’m having to hold it up with my hands, oh yes, that’s very funny, isn’t it, and you think you’re so clever and you….” etc. etc. etc.

She got louder….. this was sounding very aggressive now…  really shouting.  As I got further away it was developing into quite an indecipherable tirade and all I could make out was

“you…. (something or other)” 

“(something or other) you”

“(something) YOU (something)”

and it suddenly dawned on me who this “you” was:

Me !

I know, I know, I should have just kept walking away but two things were bugging me – one was that  I still couldn’t really understand if she was talking to me and if so I wanted to know - why? what?  The other thought flashing through my brain was that, while I’d walked merrily past, was she actually struggling with her car and thus perceiving my benign smile as rude (in the way that you would if you dropped your bag of shopping all over the street and someone went by with a grin without stopping to help you pick it up)?  I know, I over-think these things.   But perhaps I could make up for this misunderstanding by helping her now; maybe she was in trouble, and frustrated?   So, anyway, I stopped.  I walked slowly back towards her and I said – very gently – “I’m sorry, but were you speaking to me…?”

Studiously avoiding looking in my direction, she yelled angrily, “NOT PARTICULARLY!”  (Weird).  She was short and stout, probably in her early‘70s, apparently sober, very well-spoken, neatly dressed and unbelievably stressed.  By now I could see there was definitely no-one else in the car (no hen-pecked husband.  At least not here).

I  wanted to be conciliatory, calming.  “I'd only smiled to say hello,” I ventured, not moving any closer “I didn’t know if you wanted some help…”  but she drowned me out, almost hysterically  – 

“Go away! 

Go away!    

GO!   

AWAY!”

I don’t know if I can impart here quite how weird it was.  I'm sure it just sounds daft, but it was so bizarre.  I think it felt particularly surreal because I was simply taking a tranquil country walk in a public place, minding my own business, at peace with the world and with myself, when I suddenly found myself on the receiving end of this abuse and misplaced aggression, and from someone whose external appearance seemed at odds with her behaviour, if you know what I mean.   She spoke to (I mean, shouted at) me as if I was somebody else, someone who wasn’t me.  I’m a fairly small, non-threatening, middle-aged female… and here’s an older woman bawling at me to “Go away!”  like I was some kind of thug.  That’s what got to me, I suppose.

I muttered “Okay, bye” (no idea why!)  turned back around and walked briskly home, but was surprised to find after a few minutes my legs started to feel wobbly and my eyes began watering.  Silly, I know, but I guess it was just a bit of a shock.

I also wondered what was behind it all, what else she may do or had already done, and if she will get the psychiatric help she needs.  Something's clearly wrong.

Plus I’ll be more careful about smiling at people in the future.  And I've kind of gone off the idea of walking up that route again.  Shame.

Fear and A Field In England, part one

I’m walking, alone.  It’s late afternoon and the sun is out, I’m dressed for winter but surprised at the warmth;  I have to undo the buttons on my jacket.  Venture along a familiar route, through a field of horned sheep, over the stile, up past the ancient manor house and then I’m out in open farmland, beyond my usual course.  Haven’t been this far in years.

Huge flat fields stretch to the left and to the right, tiny distant trees pin the sky to the ground like tent pegs.  A well-worn path leads down into a dip, next to a wooded area, and I make my way towards it.  I stop for a moment first just to look around, take it all in: this beautiful, peaceful English countryside.  There is not a sound… not a single sound.  Nothing.  I’m only twenty minutes, half an hour maybe, from home,  but somehow it could be hours, days… my sense of being away from everything and everyone is such that it's almost overwhelming and very slightly unnerving.  As I proceed down the path getting nearer to the trees I can see, quite literally, for miles: not a soul around.

Or so I think.

I hear a rustling, some kind of surreptitious-sounding movement, coming from the large cluster of trees.   I can’t see much there, just the dark shapes of trunks and broken branches knitted together, the sun too low now to cast light on the ground between them nor on anything stirring amongst them.

It will be a fox.  Or a pair of woodpigeons, maybe.  Birds, yes - of course!  But still I stop.  Should I just keep walking… walking right towards and past those trees…past the noise...  or should I simply turn around now and head back? 

I’m too warm in this heavy jacket to run…. my feet are tired… no phone…  is it ridiculous that I’m even thinking like this (whatever ‘like this’  is?) when I’m only walking in a field in England on a lovely, sunny March afternoon?  Regardless, that’s what I do: turn around and retrace my steps, and I do so a little more briskly than before.  We’re just not used to being this alone, are we?  Just not used to the idea that if something were to ‘happen’, even if it was nothing more sinister than tripping over and spraining my ankle, out here I am helpless.   And then there are those darker thoughts… of what?... of the madman with his axe waiting behind a twisted elm?

Somewhere in the woods round here, only a few years ago, the body of man who’d gone missing was found; he’d hanged himself.  If you really mean it then this is the place to do it – I guess he hoped he’d never be located, never subject some stranger to the trauma of that macabre discovery (sadly he failed in that respect).  Not like those who hang themselves in their homes, or who throw themselves under trains.  This would be the place - to leave your body to the elements, let rain and sun and wind break you down and magpies peck at your remains, never witnessed by another human.  Just a fox.  Or a pair of woodpigeons, maybe.

----

I don’t look over my shoulder… I just walk back a lot faster than I’d walked there, and try not to be freaked out when I catch a sudden glimpse of my shadow in close pursuit.

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Later in the evening I watch the film ‘A Field In England’.  I’ll tell you what I think of it next time!

This wasn't supposed to happen

Last year I was reminiscing fondly about my young punk days to some people I’d never met before who hadn't 'been there' themselves.  I say 'fondly' because it was the first genre of music I got into, it was my entry point.  It gave me an outlet, satisfied something creative inside, helped me find my young teen identity, inspired me.  It was sealed in its relatively brief time, in my youth.

When asked about the violence so often associated with it I was happy to explain that this wasn’t my experience; there had been a great sense of camaraderie in our local scene out here in the provinces circa ’77 -’79 and no-one went around beating anyone up.   I was in with a peaceful bunch who just wanted to be left to our own devices and enjoy the music (and the look), a small group of united outsiders.  It was only afterwards when I reflected on it that I realised I’d misunderstood the question;  I’d answered as if the suggestion of violence was inferring that punks themselves were the protagonists and I’d missed the chance to explain how much we were the victims of harassment and aggression from strangers instead.

The reality was that everyone I knew had had some experience of confrontation.  Luckily in my case it was rarely more than people shouting boorishly at me in the street, usually corny stuff, like, erm...

 “Oi punk!” 

... (imaginative they were not).   More specific derogatory comments about my hairstyle and clothes were also so frequent as to become incredibly boring; just the norm.

Thankfully I was never on the receiving end of physical abuse (apart from being pushed to the ground in a park once by a drunk, overweight hippy... luckily he was so pissed, and so fat, that I got away).   My friends and I did once get chased around town by a gang of – this puts it into its era – Teddy Girls.  We gave as good as we got with the verbal sparring but one of them was decidedly bigger (and older) than us and when they threatened to ”bash us up” (oh, how quaint) we found ourselves in a ridiculous cat-and-mouse pursuit (we were the mice) through shops and streets.  We ended up at a friend’s mum’s where we took cover until they tired of hanging around on the pavement outside and went home to change their bobby socks.

But just about every male punk I knew at the time was less fortunate.  Being set on at train stations, attacked at bus stops, punched by bouncers, it happened.  And more often than not the assaults came from straight blokes – ‘straight’ as in not into anything in particular, just ordinary geezers who went down the pub and watched football who, for some unfathomable reason, found those less conventional than themselves to be a threat.  Is there not some kind of irony there?

How quickly we forget.  People hated punks. 

---

Now we have 'Punk London', and it's being backed by Boris Johnson.

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Sean O'Hagan in the Guardian, 20th March 2016:

'...That Boris Johnson, a key player in London's ongoing hyper-gentrification and creative cleansing, sees no irony in his role as the most prominent backer of Punk London speaks volumes about our times.  It has given us an endlessly self-congratulatory culture industry, but no meaningful culture to speak of save for the tyranny of the art market. And, like an old Labour radical tamed by age, the spirit of punk has now been so drained of threat as to be an object of uncritical nostalgia.  It was not always thus.

Forty years ago, Sex Pistols so incensed Boris's Tory forebear, Bernard Brook-Partridge, Conservative member of the Greater London Council, that he declared:"Most of these groups would be vastly improved by sudden death.  The worst of the punk rock groups I suppose currently are the Sex Pistols.  They are unbelievably nauseating.  They are the antithesis of humankind.  I would like to see somebody dig a very, very large, exceedingly deep hole and drop the whole bloody lot down it."  Punk, like all provocations against dull conformity, revealed more about the nastiness that lurks beneath the veneer of conformity than it did about the frustration of those who railed against it.

And rail against it Sex Pistols did, more powerfully and more disgustedly than any pop group before or since....

...The group's singer, Johnny Rotten, was stabbed in the street, their drummer, Paul Cook, assaulted by a thug wielding an iron bar and punks across the country were attacked by outraged local citizens. It does not take much to reveal the nastiness lurking beneath.'

----

 Did you see Joe Corré, son of Malcolm McLaren and Vivienne Westwood, on Channel 4 News last night, being interviewed by Cathy Newman?  I thought he expressed his views against 'Punk London' brilliantly.   He also talked about the real violence experienced by his parents and associates at the time and the controversy caused by the release of  'God Save The Queen'. He even managed to get in the story that Boris had undertaken the infamous Bullingdon Club initiation ceremony of burning £50 notes in front of a homeless person.  Cathy was quick to point out at the end of the interview that this was unfounded and merely an allegation, to which Joe replied, “Well, you would say that, wouldn’t you?”  (and briefly it felt as if that original punk spirit was still alive and well.)

----

Joe Corré in the Guardian, 16th March 2016:

'....The Queen giving 2016, the year of punk, her official blessing is the most frightening thing I've ever heard. Talk about alternative and punk culture being appropriated by the mainstream.  Rather than a movement for change, punk has become like a fucking museum piece or a tribute act...'

----

It's sad really - I didn't want to feel this way - but my fonder memories are being tainted with all this rehashing of the whole punk thing and its absorption into the mainstream which is undoubtedly peaking right now.  Especially when I see things like this:

Punk Rock 2016

The lightning tree

Some years ago I was studying part-time in Cambridge, which meant driving there once a week.  The 30 mile trip was along quite a dull route, nothing very picturesque or interesting about it - except for one particular thing which I looked forward to seeing every time, especially on my outbound journey when it was close and on my side of the road.  It was my lovely lightning tree.

It’s lost several branches and boughs in the interim years but it’s still there.  Now it looks like this: 

I know it probably doesn’t look very special here – it’s so much more blunt and stumpy than it used to be (that sign is new too) -  but what was marvellous about seeing it on my travels, apart from its former spikiness, was the way that it appeared so different every time.  I think it was something to do with the constantly changing nature of its backdrop.  Some early mornings the tree would loom out of the mist, its pointed fingers seeming to pierce through it.  On sunny days the bark would take on a bright, silvery sheen, creating a striking contrast to the wash of a vast blue sky.  On dark Winter mornings everything seemed to be in monochrome, an impression enhanced further by huge black crows perched on every limb.  Each variation in the light and time of day gave this tree a transitional quality, sometimes nuanced, sometimes dramatic; never the same twice.

It wasn’t just the sky backdrop which set the scene so beautifully for this central character, it was the position of the pylon behind it too. At a certain distance and angle they lined up perfectly - just for one split second - the pylon dwarfing the tree yet somehow mimicking it at the same time; their shapes not that dissimilar really.  They seemed so connected, not only visually but metaphorically too - united by electricity, signifying the death of one and the life of the other.

Ah, I loved that ever-changing picture on permanent display on the A1307.  It was the highlight of my weekly commute - so special to me that I honestly wished I could have been stuck in traffic more often.

From the other side of the road

Talking of lightning trees, remember this?

The Settlers: The Lightning Tree (theme from 'Follyfoot' 1971)

My bestest most favouritest songs ever ever - part 3

I fucking loved the Godfathers.  There's no other way of saying it.

If I had to describe them - I know I don't, but I will anyway - I'd summarise them as a brilliant blend of punk and rock'n'roll with something '60s r'n'b and garage going on too.  Snarling, punchy, catchy and dressed in sharp suits, the Godfathers had everything I wanted from a band in the mid '80s, including attitude. Born from the ashes of the Sid Presley Experience this was a group that needed to be there at exactly that time.

I could have chosen any of a number of their tracks as an all-time favourite song, but perhaps the one that stood out to me the most early on was their second single, 'This Damn Nation', released on 12" in March 1986.  But they had me at their first release, 'Lonely Man' and my love for them continued for a good few years.

I was lucky enough to see them live twice,  details fade but I'm pretty sure both times were in 1988 at the Town & Country Club.  What I do remember is that vocalist Peter Coyne and his brother, bassist Chris Coyne, looked like proper geezers you wouldn't want to mess with.   Guitarist Kris Dollimore was a ball of energy, leaping about and throwing guitar hero poses which might sound crap except that he looked like he was simply born to move that way... he was rather cute too.  They gave it everything, and everyone got hot.

Click on link to listen...

The Godfathers: This Damn Nation

Treetime

Out walking today between the long line of trees that lead up to a manor house, I was struck by the beautiful shapes created by their previous pollarding.  Many of the enlarged stumpy ends of boughs from which the spindly new growths spring at awkward angles resembled animal heads.  I could see pigs with their blunt snouts and narrow eyes, cattle with flared nostrils and deer with fantastical antlers, entwined and knotted with mistletoe.  I wished I could capture them with my camera, but I knew the effect would be lost.  These imaginary creatures wouldn't survive the flatness of photography.

But I took pictures of the trees anyway.

Apart from zooming in against the light here, no special effects were needed.  I think of those marbled pictures you can make by pouring ink on oily water, or the result of blowing paint across paper with a straw.

I love this tree - surely some kind of monster:

But I also love how black and white can create a certain spookiness

It seems fitting that some scenes from 'Witchfinder General' were filmed right here.

Like a butchered animal carcass this trunk looks as if it's been cleaved in two:

And finally...