Showing posts with label nouvelle vague. Show all posts
Showing posts with label nouvelle vague. Show all posts

Sunday, 13 September 2026

Out for the Count

Perhaps I should save this post for Hallowe'en but I'm in the middle of Bram Stoker's 'Dracula' - a classic which somehow I'd never read before but should have - and it's so beautifully written that I look forward every night to immersing myself in its gothic pages.  I'll be finished long before 31st October!

Once again I've rather fallen for an evil Count (last time it was Count Fosco from The Woman In White) but of course, as it is for most people I'm sure, Dracula had already been lurking temptingly in my psyche for many decades through the medium of film.  In my mind he's a mixture of Christopher Lee and Louis Jourdan (sorry, but Bela Lugosi doesn't get a look-in) - both wonderful in the role; the former of course for his many Hammer Horror performances but the latter perhaps less widely known as his portrayal was in a BBC 2 adaptation of the book.  It was repeated a little while back and even watching it for the first time in nearly fifty years still validated my fond recollection of it as a stylish, evocative production for its era - it originally aired in 1977.

That year I had turned 14, the perfect age to feel strangely stirred at thoughts of dark and forbidden seduction by a mysterious, mesmerising protagonist. Here was an immaculate mix of romance, eroticism and horror, where the anti-hero is charismatic and complex, eliciting an odd ambivalence which only serves to keep one wanting more.

Indeed, my adolescent self found Louis Jourdan's portrayal compelling and it stayed vividly in my memory.  In an interview at the time he stated that he really tried to make his character's villainy "attractive, very attractive" so that the audience might find ourselves questioning our values.  "I think Dracula should be played as an extremely kind person, who truly believes he is doing good.  He gives eternal life," Jourdan said.  "He takes blood and he gives blood.  Therefore, he gives an exchange which is symbolic of love and the sexual act..."  Hot stuff!  Those teenage love bites were never going to match up.

Louis Jourdan is after your blood...

Much as I adore a vintage book (and we really need to save them from abominable AI shredders - don't get me started), prices for early editions of Dracula were somewhat steep so I opted instead for this new paperback from Wordsworth Editions, home of classic literature made affordable, with its neat cover graphics and an interesting, up-to-date introduction.  

And I'm so enjoying feasting slowly on this famous novel no matter what the packaging.  It's a great pleasure to take the long road through its pages, to savour its meticulous descriptions and language, and allow myself a little frisson at the shadows cast by the nightlight and the curtains wavering softly in the breeze from the open window as I take it to bed.  Hmm, I'm sure I didn't have these two little marks on my neck when I fell asleep...

If you want to catch the aforementioned  BBC film of 'Count Dracula' it's being shown again in two parts on Talking Pictures TV, starting 18th September.  

A less familiar version of 'Bela Lugosi's Dead' - Nouvelle Vague

Wednesday, 16 November 2016

My bestest most favouritest songs ever ever - part 4

I've been waiting a while to post this favourite song, and now the time is right! As suggested by fellow blogger Swiss Adam from Bagging Area in an excellent recent post, with all the unbelievable crap that's going on around us politically and socially, we can at least resist by sharing some - to paraphrase SA (thanks!)  - 'up' tunes, songs to raise the spirit and put a smile on the face, etc.  Well, this one always puts a smile on my face - hopefully yours too.

It was actually the first song I'd ever heard by Nouvelle Vague, thanks to a friend who has inspired and delighted by sharing their musical taste with me via compilation tapes and CDs for many years.  Ten years ago, not long after the release of NV's Bande À Part album, a CD arrived which included this one, nestled alongside tracks by the Butthole Surfers, Favourite Sons, Saint Etienne, Ted Leo & the Pharmacists, .... see what I mean? I was inspired and delighted indeed.

'Dance With Me' has to be not only one of my bestest most favouritest songs ever ever but also one of the sexiest.  I mean proper (improper?) sexy: dirty kinky dark (insert your personal predilection here) sexy.

Let's dance little stranger
Show me secret sins
Love can be like bondage
Seduce me once again

Ohhhhhh!  (that's me, not the song lyric)

Credit must go to Lords of the New Church of course for writing it in the first place, but to me their original sounds like the Ramones channeling Duran Duran - nothing against that idea, in fact it could be quite interesting -  but once you've heard it stripped back and sung in a female French accent there really is no turning back.

To top it all, some clever person has worked out that it fits one of my bestest most favouritest scenes ever ever in the Jean-Luc Godard nouvelle vague film, 'Bande À Part', where Anna Karina dances between Claude Brasseur and Sami Frey (a scene which influenced the dance scene with Uma Thurman and John Travolta in Pulp Fiction).   With Nouvelle Vague as its new soundtrack, the circle is so neatly completed. Perfect.


(In the spirit of Swiss Adam's suggestion)
 Fuck fascism, dance with me!

(Thanks also to TheRobster at Is This The Life? whose post prompted me to listen to some NV again!)

Wednesday, 5 November 2014

Goth revisited

There's been much conversation here in SDS Towers these last few days about so-called goth.  That is, about what should have been shown on last week's 'Goth at the BBC' prog and what was really way off target.  Quite a memory jogger.  We've decided that they really ought to have had some Danse Society, and that they could have picked some different songs by the bands that they did include.  Mr SDS thinks 'Marian' would have been a better choice for the Sisters of Mercy clip.  Well, you know how one thought leads to another - I was at my French class tonight and I had this going through my mind.  Any excuse to post some Nouvelle Vague!








Sunday, 17 April 2011

French connections, part two

I’m going all Francophile again today.

J’adore ceci…


A classic scene from a classic nouvelle vague film -  Jean Luc Godard’s  ‘Bande À Part’ - with one of my favourite songs by French ensemble Nouvelle Vague.  I think it just fits so well.  The timing is quite something and, well, for me it’s just one of those satisfyingly complementary combinations.  Like peaches and cream, or rough paper and a soft pencil, or (just for you Godard fans) like Jean Seberg and Jean Paul Belmondo.  The dance sequence itself has also been cited as an influence for scenes in several other films, not least ‘Pulp Fiction’.

Nouvelle Vague, who also named their second album ‘Bande À Part’, frequently surprise with some of their more unlikely choices of cover versions.  If you know Lords Of The New Church’s original of this track, ‘Dance With Me’, you’ll appreciate how much they manage to change a song almost beyond recognition.  NV’s vocalist on here, Mélanie Pain (thank god she’s French, Melanie Bread just wouldn’t sound quite right), manages to make it sound so sensual, whereas Stiv Bators’ approach sounds, as you might expect, a tad more sleazy (much like his name).

Other tracks whose origins may be more familiar but which have been given the unmistakeable and often unexpected NV treatment to great effect are: 'Teenage Kicks',  'Guns Of Brixton', 'Love Will Tear Us Apart' and even 'Too Drunk To Fuck'…

Another personal favourite is their version of Depeche Mode’s 'Master and Servant', also sung by Mélanie Pain, along with Martin Gore.  Let’s play!
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