A cup of tea waits for me on the table, getting cold.
Biscuits lie on a plate uneaten.
The police are outside, hammering on the door, shouting
through the letterbox, threatening to ram it open if I don’t answer. Ok, I may have embellished that last bit (it’s
just the postman with a package and a polite knock) but whatever it is, sorry, I’m
oblivious, in another zone…… the reading zone. The zone you get into which makes you forget
to drink your tea, ignore that Hobnob, miss that knock at the door. The zone you get into when a book is just so absorbing
that nothing else around you can compete.
And it’s all Miki Berényi’s fault!
My copy of Miki’s autobiography ‘Fingers Crossed: how
music saved me from success’ arrived just a couple of days ago and I’m
already completely immersed (time off from working at last!) I’d read
some pre-publication reviews and excerpts, all of which confirmed this was
going to be a book I’d lap up, perhaps for the most obvious, predictable reasons:
to read an inside story on her band Lush and all the musically connected
musings and revelations. But I’m only a
quarter of the way through its 367 pages and her life story so far hasn’t even got
to that, yet it’s still as enthralling, hair-raising, fascinating and also, at
times, disturbing as any sensational tale of adult rock’n’roll exploits.
I shouldn’t really be reviewing it so early on, I’ve a ton
of chapters still to go, but my enthusiasm has made me defy convention – why
not? I just want to get it out there! There
is so much ahead, I know – about the formation of Lush and its interpersonal
relationships, the gigs, tours, triumphs and fallouts, plus Miki’s personal encounters
with the sexism in the music industry and in particular the toxicity of the
lad/ladette culture within Britpop (she is not afraid to name names) – all of which
I’ve no doubt will keep me captivated. An extract from the book published in the Guardian recently is wonderfully, satisfyingly and justifiably angry and I
feel especially invested as a woman - I love to read about this world from a
female perspective, particularly when it also covers a very relatable period
in time for me (Tracey Thorn’s and Viv Albertine’s autobiographies were likewise
appealing). But Miki’s accounts of her
unconventional upbringing even before any of that could almost be a book – or film - on their own.
The childhood tales which are as shocking in places as they are compelling are told with a straightforward openness and the insight and emotional intelligence that has come with age. 100-odd pages in and our author hasn’t even left school yet but already I feel as if I’m on a wild, chaotic ride – leaving me feeling very troubled at times, but I take comfort from the fact that Miki is still here now, in a different life, to recount and reflect on her experiences with distance and disarming honesty.
Anyway… a premature review this may be but perhaps my impulsive
urge tells you as much about the book as any in depth one may do later. Plus I have a feeling I’m going to be too
exhausted (in a good way) by the time I get to the end of it to write anything
coherent…
It also seems deserving of a *‘Swedey McSwedeface’!
'Fingers Crossed: how music saved me from success' by Miki Berényi was published by Bonnier Books 29th September 2022
