Showing posts with label kraftwerk. Show all posts
Showing posts with label kraftwerk. Show all posts

Sunday, 2 July 2017

Anniversary snapshots: 3rd July 1981


Blimey, I'm finally managing to write again! Thanks for your encouragement and understanding. But hope you'll forgive some retrospective indulgence...   It could even turn into an occasional series, tho' that might be over-ambitious.  Anyway, this started because I was thinking about a gig I was at on this exact day many years ago - hence 'anniversary' - and it dawned on me just how much has changed, although the band in question are still performing (albeit not the complete original line-up).  More on them in a mo.

First, time to forget everything we now take for granted about modern technology.  Rewind to an era when we weren’t all connected, forget having a home computer and transmitting words and pictures like I'm doing now.  I'm back to a time when we still had £1 notes and had to get photos developed at Boots and wait two weeks.  I won’t go on, you were probably there too.

So I'm in the early '80s, and 1981 in particular.  How was it for you?

The music I think of first is that post-punk / embryonic goth thing because I was really into those bands I’d heard through John Peel, like Modern English, Psychedelic Furs, Positive Noise, the Cure...


There were other new sounds too  - I loved the first New Age Steppers album with its dub rhythms...


...and still had allegiance to the anarcho-punk of Crass who released 'Penis Envy' that year.  I don't recall ever enjoying that in the way I did others, but it had its place.

These were varied times musically; I could play New Order’s ‘Ceremony’ alongside Dead Kennedys ‘Too Drunk To Fuck’ and Radio 1 could play Bucks Fizz next to the Jam. So much was going on.  Then, thrown into the mix, was something altogether different: electro ‘machine music' from a German band who’d already been around for over half my life.  Kraftwerk.

Kraftwerk seemed pretty old in '81 (in their 30s!).  I knew this because my sister already had Radioactivity in the dark ages of 1975, a record she'd been given by a German boy during a Town Twinning week.  I was 12 in '75, I liked Showaddywaddy and guinea pigs.  So, yes, they were ancient but, at the same time, so ultra-modern.


On Friday 3rd July 1981, I saw them at the Hammersmith Odeon.  It was the first time I’d been to a gig venue with seats.  I was used to black-painted halls with sticky floors and being close enough to a band to look up the nostrils of the guitarist and count the hairs.  Down there on stage – a long way away, no up-nosing for me - were four figures who looked more like androids than people, each producing synthetic sounds from a personal console, behind them a huge screen projecting the kind of digital graphics I’d only really seen on Tomorrow’s World.  

Honestly, this is what I mean about forgetting what we know today because back then it seemed so futuristic.  Like when we were little and tried to picture what life might be like in the year 2000 (all jet-packs and holidays on the moon), the computer world that Kraftwerk envisioned wasn’t one I could imagine living in.

Now, as I type this using familiar technology, their version seems retro, like Gameboys and Space Invaders do too. But in 1981 we were still gawping at magic flashing signs on the motorway telling us we were too close to the car in front as we travelled down to Hammersmith in P's Vauxhall Viva.

I’m not sure quite how Kraftwerk fitted in to my musical taste, they just did.  Seeing them felt like witnessing something special.  The sophistication of sound and imagery took us to an other-worldly place, where our hosts didn't seem fully human.  How different from the gigs I'd been to before.  At the same time it was highly accessible, especially in songs like the wistful electro-pop of 'Computer Love'.


We were enthralled for two hours by four automatons, but just occasionally they let slip their robotic façades and smiled, and we loved them for it.   They filled our senses.  It was such a memorable and awe-inspiring night.

And unlike gigs I’d been to before, the ones with sticky floors, there was no real fashion style dominating the audience - there were all sorts there, with no aggro.  P wore a black cape! I don't know why - or perhaps I do - I mean, this was an era when many of us aspired to be vampires, at least part-time.  K was wearing brand new purple creepers from Shelley’s.  I donned my moth-eaten black lace dress (my mum’s from the 1940s), my hair deliberately tangled.

In the foyer on the way out we spotted Toyah! ‘I Want To Be Free’ was in the charts - she was going to turn this world inside out and turn suburbia upside down.  I'm not sure how she got so far with that voice, but she did have the look.

 As we queued to leave the car park, we were amazed to hear a tape of what we’d just listened to being played back – someone must’ve recorded the set on a portable cassette machine. Maybe smuggled in under a cape.


Possibly still dazed from the Kraftwerk experience, P took a wrong turn as we headed home and started driving West instead of East.  We didn’t know as we drove towards Southall that something serious was happening there that night.   The first we heard was in the papers the next day - there was nothing then to tell us what was going on in real time, no tweets, no rolling news.  

Luckily we turned around in time, oblivious to what was unfolding further down the road.  Petrol bombs were being thrown and a pub set on fire when a violent conflict erupted after a number of Oi bands  booked to play the Hambrough Tavern brought many of their racist supporters to an area with a high Asian population.  That was another side to the hot Summer of 1981: riots.



It's weird to think of Oi bands, riots and Kraftwerk in the same breath.  I’m so glad I’d been in the company of the latter that night.  I don’t think Oi fans would’ve taken kindly to seeing us dressed in cape, creepers and lace, singing 'It's More Fun To Compute' out the car windows, and laughing at the ridiculous idea of that ever becoming a reality.

Hmm.


As for Kraftwerk, they're touring again with 70-year old Ralf Hütter as the only original member, and by all accounts their performances are not that dissimilar to the one I enjoyed 36 years ago today.  Whereas so many other things have changed...

Developed at Boots, July 1981


In the digital age, July 2017

Thought it was about time I said hello properly!

Wednesday, 5 March 2014

Some time in 1981 (part two)

It's June already, I can't believe my 18th birthday is only a month away!

I've spent some time this week rearranging my bedroom and it feels more like a little pad, I pretend it's my flat. Now I just have my mattress on the floor and I saved up and bought a stereo (turntable, tuner and cassette deck).  New albums I've been playing to death lately are the Au Pairs 'Playing With A Different Sex', Psychedelic Furs 'Talk Talk Talk', Kraftwerk 'Computer World' and Positive Noise 'Heart Of Darkness'. I've put this great Nosferatu film poster above the bed. Scared the life out of me when it fell down in the middle of the night and I awoke suddenly to find a vampire on my head (although Klaus Kinski does look rather cute in a bald, pointy-eared, fang-toothed kind of way).  So now it's stuck back with an entire packet of Blutac.

He looks a bit rough in the mornings

College is ok - Jill came in to visit the other day, I miss her from the Foundation Year but she's fine, she's gone very London now and has been hanging out at Le Beat Route - I feel very provincial now by comparison!

Been a strange year without Dad in the house but Mum is a lot better after her breakdown. It was the worst she's had, we're used to her depression when she stays in bed all day but we knew that things had got bad when she started saying/doing really odd things again as well.  She obsessed about painting her bedroom orange and wanted us to do it for her. Orange! Then she suddenly started reading the bible - we have a really old one in the house inherited from Dad's side of the family but nobody ever looks at it.  We're all so non-religious and this just wasn't like Mum at all, the way she was talking about stuff too.  It was a few months ago now but anyway A called Dr Lewis, he came over and arranged an ambulance - they took her to hospital that same afternoon. It was horrible seeing her wrapped in a blanket and wheeled out to it, like she was physically ill even though she wasn't. I actually think she was relieved, though. It was as if she was feeling, “I don't have to try any more. I can just give in to it” - like she'd reached rock bottom but at the same time a turning point, a time to let the doctors step in I s'pose.  A and I both cried after she'd gone but we were relieved too, and then we were fine on our own, in fact it was really nice having the house to ourselves for several weeks. We worked out our menus (macaroni cheese every Saturday) and we kept the place clean, it was like being a true grown-up with a house of my own (but sharing with my big sister). Hospital visits were hard, I hated going.  But anyway she got better, came back home and things have returned to some kind of normality. I haven't seen Dad in ages, don't know what he's going to do about my 18th (maybe he'll visit, that might be a bit strange).

Great news today! P has bought tickets to see Kraftwerk at Hammersmith Odeon so K and I are going with him and L. It's on the day after my birthday and I can't wait! Now I'm just wondering what to wear.


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