Showing posts with label flux of pink indians. Show all posts
Showing posts with label flux of pink indians. Show all posts

Wednesday, 14 August 2013

Ted Leo and a band close to home

I may be biased, but “strive to survive causing least suffering possible” has to be one of the best maxims for life that there is.  You just can’t fault it.  Without realising quite what a lasting impact it would have on many people, anarcho-punk band Flux of Pink Indians chose these words for the title of their seminal album. I shared my roots with members of FoPI in our small local punk scene of the late '70s (a Hertfordshire market town's equivalent to the Bromley Contingent!) and was especially close to them at the time when they recorded it and first showcased the ‘Strive...’ set at gigs up and down the country.  So it really warms my heart when I hear that their 1983 release is still often referred to with reverence by fans old and new around the world.  Bands like Flux and Crass may not provide the kind of music I'd actively choose to listen to so much now - at least not for its own sake - but perhaps that's partly because I was just so immersed in it all at the time.  And because I'm not quite such an angry young thing any more ;-)   

Anyway, about 6 or 7 years ago a very cool friend introduced me to the music of US band Ted Leo & the Pharmacists and I was immediately struck by their accessible, anthemic, punk/power-pop/ska/rock sound and Ted’s heartfelt vocals, all of which tick the right boxes for me now.  Songs like ‘Me and Mia’ and ‘Where Have All The Rude Boys Gone?’ are well worth a listen if you’re not already familiar – and their general melodic-with-an-edge style sometimes makes me think of early Jam.  I also knew that Ted Leo was a prolific and renowned song-writer as well as a man of integrity, unafraid of coming at things from a political angle.   Ok, so now you may be thinking: what’s that got to do with Flux of Pink Indians and ‘Strive To Survive Causing Least Suffering Possible’?

Well, apart from the fact that I like it as a typically strong, catchy track in its own right, I was just amazed to hear a certain reference in the lyrics of ‘Ativan Eyes’ from Ted's 2010 album 'Brutalist Bricks’.  When I first listened to this and heard him sing "We strive to survive causing least suffering possible - the Flux of Pink Indians gave me words for that"  (around 2 mins 9 seconds in) I couldn't believe it.  I know it probably doesn't mean a lot to anyone else but it means a lot here!  Boy, is my heart warm now :-)

Ted Leo & the Pharmacists:  Ativan Eyes

(A special 30th anniversary edition of FoPI's ‘Strive...’ with extra tracks, including the live set from the Feeding of the 5000 gig at Shepherds Bush Empire 2007, is released on One Little Indian 2nd September 2013...)

Sunday, 27 February 2011

First Post The Past

On wondering how to start this I’ve been partly inspired by reading Philip Leslie’s blog, The History of Philip Leslie, (Philip is the talented author of 'The History Of Us' published by Legend Press last year) and decided to go through my old art college portfolio.  So I’ll be posting a few images here from the days of Letraset and the Grant projector… (let me know if you had experience of the latter; so few people seem to remember them.) These will be in no particular order but it seems fitting today to post this original image which was used in the sleeve art for Flux Of Pink Indians’ ‘Strive To Survive Causing Least Suffering Possible’ (originally released on Spiderleg 1982).  Fitting because Andy Smith with whom I was good friends throughout Art Foundation and who later went on to join Flux, died on 4th February 2011, so this picture just connects me to both Flux and college days and therefore him too.  (And I do have another rather close connection to Flux which will remain undisclosed for now.)

I seem to remember that I had a bit of a thing about potato prints at the time but doubt I would have done too well as a wallpaper designer.  And what is that strange-looking box whose knobs are being twiddled by the Anne Diamond lookalike?  Oh, it’s an eighties TV set.  That’s… Progress.
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