Abstract moment of the week #8

It took a moment or two to register - had I heard it correctly? - then I realised that, yes, I had.  The writers of Coronation Street, once again, dropped in a cheeky little name reference that could so easily pass by all but the most attentive of us.  I've noticed they do this from time to time, you could play 'Mancunian Characters From Popular Culture' Bingo with it - for example, in an episode a few years ago, someone casually mentioned the 'Mark E Smith Suite' in a conversation about some venue or other.  Last night, we found out - but only through hearing the briefest of mentions by a hospital radio DJ in one scene - that Audrey Roberts was in the 'Tony Wilson Ward' at Weatherfield Hospital.

It prompted me to have a little rummage around the 'So It Goes' archives.  Here's Tony interviewing Johnny Thunders and Walter Lure in 1978 -  unfortunately I couldn't embed it, so may not be available outside the UK - but a great clip if you can watch it.

And while I'm on the subject, there haven't been any music series like 'So It Goes' for ages, have there?  Much like the music papers, I relied on programmes like this in my teens to enlighten me about bands and artists, it was the only access.  Watching them always felt a bit edgy - they ventured into the margins.  Also, looking back you realise just how chaotic and unpredictable interviews tended to be - when did things become so slick and palatable?!

Saint Etienne Therapy

Last night a woman who looked like a young Joan Jett threw me a Parma Violet and I caught it deftly in my hands, even with orange woolly gloves on.   “Not bad for an elderly woman!” she exclaimed as I did so.  I choked out a polite laugh, but inside I was recoiling in abject horror.  The word “elderly” was like a stab wound to my heart. 

Fortunately, it was just a very bizarre dream. The young Joan Jett lookalike was the girlfriend of a man who resembled a young Jon Bon Jovi and they’d come to my house to collect a massive box of records – about as tall as me - which I’d taken in for them.  I don’t know why she was throwing me a Parma Violet.  The writing on the record box said it contained Durutti Column albums and that it weighed 10 stone.   All so random and peculiar in the way that dreams frequently are (why Durutti Column?  Not as if I’d been playing any lately!)  But it was that ‘E’ word which stuck with me most when I awoke this morning.  Elderly.   It reminded me that one day, at least if I make it that far, I will fit that word.  I might be the elderly neighbour, the elderly customer.  The elderly patient.  Ugh.

I must admit, lately, I’d been thinking about how there comes a point in life, a while before the 'elderly' description, when we start to use the caveat “for your/my/one’s age”, e.g. “She’s not in bad shape for her age”, “Can I still get away with it at my age?”, “You’re still pretty healthy for your age”, etc.

Maybe that was what triggered the dream.

Anyway, where am I going with this?  Well yesterday, reading a post on Saint Etienne over at the ever excellent Charity Chic Music I remarked that Saint Etienne are the band who make me feel alright about getting old.  (Ah, that's probably what triggered the dream too).  

That really is exactly how I feel about them and I love them for it.  

Any time I get that unpleasant pang about the inevitability of ageing, I bring Sarah, Bob and Pete to mind.  We share some of that '70s past and attitude and the facial lines for which we traded our life experiences.  They've been around a long time and they're still innovative and cool, sorted and individual, real and unaffected and still doing what they do. Everything you could aspire to as far as I'm concerned. 

Lyrically, too, they know what to say to soothe my creeping unease at the ageing process, reminding me that it’s alright to be where we are now in the timeline of our existence because of all those great markers along the way which only those of us of a certain age can identify with.  I get that feeling: we’re all in it together.  You, me and Saint Etienne.

Take these two verses from Over The Border (Words And Music 2012)

In 1974, I bought my first single, from Woollies in Redhill

I started to memorise the charts, to memorise the leagues

Tuesday lunchtime at 12.45, Saturday afternoon at five o'clock

I didn't go to church, I didn't need to.

Green and yellow Harvests, pink Pyes, silver Bells

And the strange and important sound of the synthesiser

I was in love, and I knew he loved me because he made me a tape

I played it in my bedroom, I lived in my bedroom, all of us did

Reading Smash Hits and Record Mirror, Paul Morley and the NME

Dave McCulloch and Sounds, Modern Eon and Modern English

Mute, Why, Zoo, Factory

Cutting them up, sucking them in, managing the story on our own

And in the chorus, the straightforward acknowledgement of that creeping unease reminds me I'm not on my own either:

I'm growing older, heaven knows what's on its way

Then there's some simple philosophy which I think you can only really grasp fully when you get to a particular vintage, as in the words of Take It All In (Home Counties, 2017)

You've gotta stop and let yourself

Take it all in

Sometimes you gotta drop it all

And just take it all in

So smile and get it on

Just take it all in

Then you'll begin

To really see

No-one said it would be easy

No-one told you it would be fun

But you're gonna have to believe me

The party's just begun

Saint Etienne are not immune to a little wistful reminiscing either, for instance in 'When I Was Seventeen' (Words And Music, 2012)

When I was seventeen

My heart and head were full of brilliant dreams

Assembled in the light of a day

That seems so far away

Away

And now

When I was seventeen

When I was seventeen

I thought we knew everything

We knew everything

No responsibility

Endless possibility

What on earth could possibly hurt me?

I know that getting properly elderly is going to be pretty awful but - there's no doubt - I always feel a little bit better about it when I think of getting there with them.
I call it Saint Etienne Therapy.

Saint Etienne: Twenty Five Years

Gigging, ligging and leek pie - Part 2

I said I would explain about the leek pie.

Leek pie has become synonymous with my memories of travelling around the country to gigs with my boyfriend’s anarcho punk band in the early ‘80s.  Leek pie!

It really wasn’t very rock’n’roll, was it?  Where were the tour rider requests with their bizarre demands to remove all the brown M&Ms (except of course we called them Treets back then) from the sweet bowl?  I mean, what sweet bowl? 

After travelling for hours to anonymous towns, taking wrong turns and arriving just in time to use the loo and for the band to soundcheck and prepare before the doors opened to the black-clad masses, there was rarely time to check out the local Chinese or chippy.  So it became the norm to take your own food – crisps perhaps, you might think, or Mars Bars - the sort of thing you could stuff into a jacket pocket and get a quick sugar and salt fix from. 

But with anarcho punk being all about doing it yourself, rejecting capitalist values and, in particular, strong views on vegetarianism, maybe there was resistance to this level of conformity from some quarters?   So one of the girlfriends began - very sweetly, really - to bring her home cooking to gigs in a Tupperware dish. 

I remember it well, arriving at Birmingham Digbeth Civic Hall, with its grandiose interior, all decorative ceilings and high windows, and as the band finished unloading their gear, a voice rang out: 

“Would anyone like some leek pie?”

I mean, I do like leeks, and it would have been great at any other time, but they are notorious for repeating on you and, I don’t know, what with it being served cold and the insides being a bit gooey and the pastry being rather flaky, it just wasn’t obvious pre-gig food.   And, this is going to sound really mean, but the whole hippie-commune-knit-your-own-yoghurt aspect of it just… well, forgive me, but... it can just seem a little too earnest.   There’s a fine line between earnest and sanctimonious and the home-made leek pie was in danger of crossing it.

That gig went very well in all respects apart from some shitty little dickheads at the front who decided to gob at the band by way of showing their appreciation.  Some of this landed on my boyfriend’s guitar and shirt.  Ironically, I have to say it looked not unlike the contents of a leek pie.   If only it had been - it would have saved all that worry about Hepatitis B.

There’s more irony to come.  Many years later the band played a reunion gig at quite a large, well-known venue and, things being so different this time around, there was a proper dressing room (with comfy armchairs and a clean loo and everything!) and… guess what?.... a gig rider!

Some food and drink was laid out by the venue staff on a little table, plenty for everyone, band and entourage.  Several cans of lager, Mars Bars and lots of packets of crisps.  I had to laugh when I saw most of them were Smokey Bacon flavour.

Snow cake

With the yellow cake tin in one hand and my satchel on my shoulder I headed off to school with my friend in the morning snow.  It was a one and a half mile walk, down the hill, past the petrol station and the grocery shop where, in Summer on the way home, we’d buy Dalek ice lollies or Sherbet Dips.  The route took us through the outskirts of town until we got to the steep steps by the railway station. That was the mental ‘Nearly There’ signpost.   Next over the zebra crossing and finally the long, uphill avenue, joining fellow pupils straggling along in groups, like small flocks of sparrows in our drab beige and brown uniforms.

The yellow cake tin came with me for ‘Home Economics’ class.  We were going to be making a Victoria Sandwich.  Caster sugar, flour and margarine had been carefully measured out the night before and packed into the tin in plastic containers, alongside two large, loose white eggs.

We were quite stoical ‘70s children, perhaps because we had quite stoical parents who’d lived through the war and had eaten cakes made with grated potatoes and sand during the rationing.  I might be wrong about the sand.  Anyway - stoical - it’s just a bit of snow, maybe some ice, you walk to school as usual.   When you get to your classroom you thaw out against a radiator before Assembly, until a teacher tells you you’ll get piles if you stay there too long.  Whatever piles are.

But we skidded as we walked through town, landing on our bums and hands. Satchel straps slipped awkwardly off shoulders and my yellow cake tin landed and overturned on the frozen white pavement as I  tried to right myself.  Twice in succession my friend, my tin and I fell like skittles on the ice.

Oh - my eggs!  As I rubbed snow off my coat I had visions of a Victoria Sandwich making itself messily inside the tin.

Round the corner by the railway station, I slipped again.  Those eggs were never going to survive, but at least the steep steps were gritted and we were Nearly There.

We got to school and leaned on the radiator, getting the hotsies in our hands - the best bit about getting cold was that intense tingling when you warmed up; it was almost worth leaving your gloves off for.  I opened my yellow cake tin to find, inevitably, the two large eggs smashed to pieces, their sticky gloopy contents covering everything else inside....

........Only they weren’t!  Not even a hairline crack.  Dropped several times, they survived every skid and fall and thud.  What were the chances?

The Victoria Sandwich turned out nicely.  As with the snow, it only lasted two days, unlike the bruises on my bum.

One last reminder of the snow (I love this song and video) - it's thawing here now