When introducing this new series last month I explained how some musical discoveries in my twenties
excited me so much that I was inspired to make my own fanzine on the subject. It was the 1980s and the garage, psych and beat music that obsessed me was mostly from the mid 1960s - but it was so fresh to my ears that it really felt like I was indulging in something new.
Much like blogging now, I
wanted an outlet, a way to express and share my enthusiasm and the fanzine was
the solution. Somehow I managed to write, illustrate and design six editions, by hand.
For this series I’m
going to post some of the tracks I wrote about then, along with
snippets of whatever it was I said. As the strapline of my fanzine rather
grandly announced, it's ‘A trip into the
world of real psychedelia and more’.
~ - ~
I
remember wondering how to start. So much
to say! And so excited I didn’t know how
to say it! So I started Issue 1 with
some drawing instead – a doodly cover illustration with a woman with no top
on… they say sex sells. For 15p, in this case.
Armed
with a selection of fine-tip Pilot pens, some magazines to cut up for collage
and piles of records, I got going. Issue
1 included quite a cross-section of reviews/summaries – including my favourites
from the past such as the Eyes and the Action...
... alongside much loved contemporary bands with a retro sound, e.g. the Nomads and the Prisoners.
Then I launched into a six-page article on the ‘Pebbles’ series of compilation albums featuring largely unknown US bands from twenty years back.
... alongside much loved contemporary bands with a retro sound, e.g. the Nomads and the Prisoners.
Then I launched into a six-page article on the ‘Pebbles’ series of compilation albums featuring largely unknown US bands from twenty years back.
Here’s
some of what I had to say about them.
“The
‘Pebbles’ albums are a classic selection of American 60s punk. They feature a mixture of incredible
obscurities, psychy classics and novelty records that are just good for a
laugh. Some of the slightly better known
tracks featured on them have since been covered by new groups such as the Lords
Of The New Church, Plan 9 and the Cannibals and have thus reached a legendary
status. I’ve listed here most of the
Pebbles LPs that I think are worth checking out if you can. Most of them are stil available, though you’d
probably have to pay over £7 each…”
£7 seemed an awful lot of
money to pay for an album in 1986.
“…There
are loads of similar compilations around – Acid Dreams, Acid Visions,
Nuggets, Highs In The Mid-Sixties – to name but a few , but it’d take many long
hours, several biros and yards of paper to review them all, so I’ll just stick
to Pebbles for now!”
Err… Biros…?
Paper…? What are these things I speak of?
“…
I think the reason there are so many more US compilations than UK ones is that
so many bands over there were able to release one-off singles on really small
labels, so a lot of stuff was getting heard.
Some records were the only ones to be released on a particular
label. The scene must have been similar
to the indie scene that thrives over here now, and come to think of it, it’s amazing
that half of the records ever survived as they must have been pressed in really
small quantities! Anyway, I’m really
glad that someone managed to find them and compiled these albums for our
enjoyment twenty years on…”
Weird to think that those
twenty years are now… aargh! … fifty years on.
“VOL.
ONE
A
great one to start off with! Side 1
opens with a real classic – ‘Action Woman’ by the Litter. Check out the Damned’s version of this too,
on the Naz Nomad and the Nightmares album.
It has a catchy chorus, screaming guitar and just shoots straight into
your bloodstream….”
Forgive me, I was
young. I know music doesn’t ‘shoot
straight into your bloodstream’. But
still, it’s a great track, so here it is.
“…
The side closes with the Haunted’s ‘1-2-5’ – a beaty little number that has
also impressed a few new bands such as the Electric Roaches and the
Fuzztones! It was a major hit in the
band’s home country, Canada, at the time of its release…”
I loved the Fuzztones but, weirdly, I don’t remember the Electric Roaches at all. Never mind, here’s the original from the Haunted.
I loved the Fuzztones but, weirdly, I don’t remember the Electric Roaches at all. Never mind, here’s the original from the Haunted.
You know what, they still sound fucking great.
More snippets and songs next time!
More snippets and songs next time!
Wow - this was a real labour of love wasn't it. Great artwork and very good writing considering you were so young (don't think mine would have been up to much back then). Also the music just hasn't dated and could almost be contemporary.
ReplyDeleteBlogging I suppose is the modern day equivalent of these fanzines but "potentially" a much bigger audience and done with very different tools - What are these biros you speak of and what are yards?! Anyway, very, very impressed and a snip at 15p. I do seem to remember that by the time I stopped buying albums they had reached the dizzy heights of £7 which does seem expensive nowadays considering what I earned back then.
Thank you (actually hadn't meant to publish this post when I did, but never mind, it's up now!)
DeleteI know what you mean about the music - although the quality/pressing leaves a lot to be desired! But the energy is there, they still sound fresh to me.
Haha, biros,paper and yards too. You don't realise 'til you look back do you (although I still think in yards and feet rather than metres, although I seem to think equally in centimetres and inches. Must be easier if you only grow up with one system.)
At the time £7 was about double the normal price if I remember rightly and I was earning less than £2 per hour! I was glad of my staff discount...
Excellent stuff - great artwork, a great read and great music
ReplyDeleteThanks CC, the tracks are great aren't they, they haven't aged as much as everything else shown here!
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