It was droning away in the background this morning while I was in the garden and something caught my eye: a small leggy creature trying unsuccessfully to get itself out of the bird bath. I scooped it up on a leaf and gently placed it on the rocky edge whereupon it scuttled around in a drunkenly haphazard fashion before ending up back in the water to flounder once more. I rescued it again and placed it further away this time; a closer look revealed it to be a Harvestman. Maybe it was a Harvestman with suicidal tendencies.
I came indoors to cool down and switched on my computer; I've been meaning to look at some more images by the Russian artist Kazimir Malevich as mentioned in a recent post. On Tuesday I'd been discussing him with a lovely friend to whom I was talking about my trip to Tate Modern and (being the creator of some brilliant and notable record sleeve art himself) he told me about how Malevich's work had been an influence on Barney Bubbles. Those of us of certain musical tastes and vintage will be very familiar with Barney Bubbles' output; I think he designed over 90 record sleeves. Lots has been written and spoken about him so I won't go on here. However, I must admit that until that conversation I didn't actually know much about his background myself and I hadn't appreciated his artistic influences. Now, on bringing to mind the record cover art I know best (mostly those Stiff label releases), I can more easily identify Malevich as a source of inspiration.
The Damned: Music For Pleasure
Malevich, suprematist composition
Ian Dury & the Blockheads: Hit Me With Your Rhythm Stick
Malevich, dynamic suprematism
...which seemed simply appropriate for today. And then I thought I'd have a rummage through some of the less familiar Barney Bubbles record sleeve designs and up came the Edgar Broughton Band's 'Oora' - which so happens to be on the Harvest label...
Must just be that time of year!
(Combine harvester picture attribution: Hinrich)