Saturday, 10 October 2020
Eight arms to hold you
Wednesday, 16 September 2020
Spitfire bird
“… The nearest thing to having wings and flying yourself,” said Joy. “Gorgeous!” was the word Mary used. I never thought I’d be writing about it here, but having found myself unexpectedly drawn in by a BBC Four programme on Monday night, I too found myself enamoured with a tiny single-seater fighter ‘plane, the wonderfully named Spitfire. I was also enthralled by its pilots.
Joy Lofthouse and Mary Ellis, who both died in the last few years aged 94 and 101 respectively, were among a particularly unusual group of women who piloted ‘planes during WWII as part of the 'Air Transport Auxiliary'. Bearing in mind that this was at a time when it was thought odd that women would even want to fly a ‘plane, you realise just how special a job this must have been and how much it defied convention. These ‘Attagirls’, as they were known, flew thousands of warplanes, usually delivering them from factories to RAF air bases, solo and without compass or radio help, navigating only with maps and following railway lines or rivers. Although not involved in combat, they still faced danger daily from enemy attack or collision with the huge barrage balloons that were deployed as anti-aircraft obstacles.
And as for the male fighter pilots – I find it hard to
imagine just how they handled it, many of them aged just 18 or 19, cooped up in
a cockpit so small that they had to get into it sideways, tasked with
intercepting, outwitting and shooting down enemy aircraft. There they were, alone in a
lightweight metal killing machine that could reach a speed of nearly 400mph - feeling
the fear, knowing it was “them or us” – as anyone in a direct
conflict situation surely must. Several of
these surviving pilots appeared in the programme and, in voices weakened by the intervening decades, solemnly expressed their hatred of war. But their love of the
Spitfire was indisputable.
As with classic cars, especially the small, sleek, sportier ones, I think there's something about the Spitfire which is aesthetically pleasing. I like its scale and simplicity. Seeing them in flight is like watching swifts; graceful, wheeling, fast, intrepid. Maybe my love of birds and the excitement I feel when I witness their aerobatic displays is linked, I don’t know. Whatever, although aeroplanes aren’t exactly my thing, I can absolutely understand the appeal of this diminutive yet high performance model.
Mary Ellis was particularly fond of the Spitfire and one day,
on delivering a new one from the factory, she signed her name on it. The airplane in question was never used in combat and survives today - along with her youthful signature. On being asked, just before her 100th
birthday, why she'd done that, she said with a gleam in her eye that it had
really just been a romantic thing; she’d
hoped that perhaps a dashing young airman would see it and get in touch. At that moment I think I knew just how Mary felt.
Public Service Broadcasting: Spitfire
The BBC Four programme 'Spitfire' is currently available on iPlayer:
https://www.bbc.co.uk/iplayer/episode/m0008rmy/spitfire
Saturday, 5 September 2020
Just postponed
I feel I can’t let this weekend slip by without a little acknowledgement of something very special which should have taken place but which has sadly had to go by the wayside for obvious reasons.
A few of us would have been waking up this morning in an
Edinburgh hotel room (presumably not the same one…) ready to greet a couple of days full of who-knows-what exactly, but I suspect it would have involved exploring the Old Town and The Royal Mile, diving into coffee shops, smiles and food and laughter, soaking
up both culture and wine, and lots and lots of talking.
A lovely 'mini bloggers’ meet-up' was
on the calendar; one that wouldn’t be too
overwhelming for those of us who are less comfortable with big groups and new faces, but perhaps
a precursor to more. For me it would have been both a reunion and an introduction, and my first trip over the border into Scotland too, I was looking forward to everything about it. Huge thanks to John for getting the ball rolling and making it happen at least as far as it did – that is, of course, until this year's unprecedented events overcame us all.
But it’s just postponed, not cancelled, and I hope some time in 2021 we may be talking about it retrospectively.
In the meantime this presents an excuse to indulge in a perfect post-punk single by a great band who take me back to my youth and who hailed from Edinburgh, plus a lovely
video, very much of its time, featuring some of the sights from the city (as well as lots of scarves and slippers...)
To next year and the friendship of bloggers...
Scars: All About You (1981)
Saturday, 29 August 2020
In stitches
A fantastic stash of vintage magazines came into our possession recently.* Well, I say fantastic... They're fantastic if, like me, you find there's nothing like a little tackiness to bring some brightness to a gloomy day.
Tackiness comes in many forms but you can't beat a bit of kitsch knitwear, can you? There's plenty of it to be found within the pages of 'Pins and Needles' and it seems only apt that I ended up with the condition of the same name after unwisely kneeling on the floor to browse through them. But, oh you know how it is, you see a 1963 article on how to crochet a doily and you're hooked. (No pun intended.)
Anyway, I can't keep them all to myself! Let me treat you to some of the images and ads from that bygone age when the sound of our mothers' knitting needles clacking away was loaded with a strange sense of doom for us children of the '60s. We just knew we might end up looking something like this...
Life wasn't so great for our mums, either. 40-22-35? "Where do you fail?" Ffs!
There's nothing like a disembodied dog's head on a trophy shield to give you nightmares...
...oh, other than a wild-eyed, demented Gonk who wants to lick you. Lucky? I think not.
Still, if you seek something a little more sophisticated, you could always install a quilted cocktail bar:
- and invite Eric and Ernie over to compare sweaters
"What do you think of it so far?"
"Rubbish!"
He'll grow out of it...
Magic ones?
More creepy ideas to scare the children
The ultimate in suave
And finally, is it a dress? Is it a tablecloth? It's both!
* With many thanks to Pete.
Saturday, 22 August 2020
Super Mario
Oh, I do love an interesting face!
What is it about some faces that just draw you in? Especially when they’re not conventionally beautiful. I must stop inadvertently staring at people…. I forget where I am sometimes and find myself becoming preoccupied with the features of strangers – men and women, young or old - on trains, in waiting rooms, at the local curry house – one of these days it’s sure to land me in trouble. (Maybe the wearing of face coverings is good thing in that respect too right now...)
How would I explain
myself? “I was just admiring your extremely
large nose” or “I can’t take my eyes off your luxuriously bushy eyebrows!” It might
just be because I spend so much time drawing and I think my brain has got stuck
in that mode – absorbing angles and curves and proportions, kind of sketching them out with my eyes like virtual portraiture, but, hmm - how would you tell that to the target of your unwelcome observation without sounding incredibly
creepy?! It would be sure not to end
well.
Thankfully I’m safe to share my thoughts on this particular
face without judgement here.
It is the wonderfully compelling countenance of Mario Fabrizi, a comedian and actor who is probably familiar to anyone who's seen The Army Game or (as in my case), when he was working alongside Tony Hancock in Hancock's Half Hour and his two films, The Rebel (I love this - see clip below) and The Punch And Judy Man.
I had to look up a bit more about him and was sad to read that he died very young (in his late thirties); in fact it would have been only a short while after filming The Punch And Judy Man in 1963 and, according to Wikipedia, his death was due to a ‘stress-related illness’. This sounds particularly tragic and perhaps poses more questions than it answers, especially given that just a week prior to his demise he had apparently announced he would be leaving showbusiness. I am so sorry that we could not witness more of his talent and his marvellous appearance, both of which I'm sure would have aged magnificently.
However, and I hope you agree, you cannot help but feel joy when you see his lovely unconventional face in its prime. It’s just so full of character. Those laughing eyes, his long Roman nose, that slicked back hair - and that massive moustache!
Sunday, 2 August 2020
A paean to pondlife
Monday, 13 July 2020
Be my guest #1: John Medd and his Worm Top 5!
I'm really grateful to John for this lovely piece and for stepping in to help me out; more contributions are always welcome. Enjoy,
Wednesday, 1 July 2020
An invitation...
Anyway - a thought! A few of my lovely fellow bloggers with music-themed blogs have been opening up their doors to guest posts - it's great, and works well for everyone. But of course I don't want to tread on anyone else's toes so I wondered if I could offer a different platform here if there's anyone out there who wants it...
Therefore, if you fancy contributing a guest post here some time, on any topic that might fit into this place comfortably (no restrictions other than that of libel and extremism, you know what I'm saying) then please write in. Perhaps you - or your secret alter-ego! - have an urge to wax lyrical about pylons, Lloyd Loom chairs or the joy of shelling peas, for instance. Not that I'm suggesting those at all, but.... who knows?! I have a fondness for the random and the eclectic, the funny, playful and intriguing - and would really appreciate some original input.
You can get in touch via the contact details top right if you're feeling more inspired than I am and could help inject some life back into these pages. It may also get me back into the groove...
Publication at my discretion but anonymity will be fully respected if desired!











